格雷(托马斯·吉布森ThomasGibson饰)是从小就含着金汤匙出生的富家大少爷,虽然一直过着养尊处优的富足生活,但十分古板严苛的家教却让他感到十分的不自由。长大之后,格雷成为了年轻有为的英俊律师,前途一片平坦光明。达玛(珍娜·艾夫曼JennaElfman饰)出生在典型的犹太家庭,她的家人各个都是神经大条的自由派人士,生活随心所欲到有时候达玛自己都觉得无法接受。就是这样一对身份和个性截然不同的男女,命运让他们邂逅于地铁之上,缘分又令两人一见钟情,一时间,他们竟然陷入了难舍难分的热烈恋情之中。然而,激情毕竟短暂,鸡飞狗跳才是生活的常态,格雷和达玛会如何化解两人之间那巨大的鸿沟呢?
《三天两夜》讲述了一段复杂曲折的四角恋爱,四人之间的情情爱爱纠葛在一起,他们能否在错误的日子遇上对的人呢?
圆鱼洲,一个充满游戏设定的临水之地。6位玩家来此开启8天冒险之旅。通过完成任务/参与挑战获取圆鱼币进行建筑大比拼,打通虚拟-现实世界,建造线上线下联动的社区。
托衣舞女安娜对一个神秘的女客人一见钟情,辞随其回到别墅,之后安娜开始不停做噩梦,在梦中她毫无目的地杀着人.神秘女人,精神病医生,还有隔壁监视着他们一举一动的一男一女......安娜怀疑自己发了疯,精神陷入一片混乱之中......
彩媛为了结婚而与情侣仲介朱诺见面,进行商谈。对于没做好准备却想要和有钱男人结婚的彩媛来说,朱诺提议要培养性爱技巧。昌俊也因为结婚,与情侣仲介佳仁见面进行商谈,且佳仁不断劝迷恋于虚拟性幻想对象的昌俊与现
伯尼(威廉姆·H·梅西 William H. Macy 饰)可能是这个世界上最倒霉的男人了,尤其是在格外讲究运气的拉斯维加斯,然而,就是伯尼这种逢赌必输的天赋,被一位赌场的大老板给相中了。他花重金聘请伯尼去他所经营的赌场工作,为的就是压制那些运气特别好,赢的盆满钵满的赌客。在这里,伯尼邂逅了一位名叫娜塔莉(玛丽亚·贝罗 Maria Bello 饰)女子,美丽温柔的娜塔莉很快就令伯尼坠入了情网之中。然而,自从伯尼恋爱之后,他的霉运似乎一扫而空,令他的老板损失惨重。为了挽回这名得力的员工,老板决定无论付出怎样的代价都要将伯尼和娜塔莉拆散。 ©豆瓣
2013年8月14日上午,由北京美洋洋国际传媒有限公司和北京中视美亚国际广告有限公司联合摄制的儿童励志电影《一路芬芳》在日照市举行了隆重的开机仪式。主演侯耀华、徐德亮、钉铛,出品人汪洋、樊亚丽等主创齐聚发布会现场。电影《一路芬芳》剧组由樊浩导演率领的一支艺术高超,技艺精湛,作风过硬优良团队制作。我们深信,在全体演职人员齐心协力下,一定会拍出一部集“思想性、教育性、观赏性”于一体的精品力作,给儿童及全国人民奉献一部感人的,具有文化教育意义的影片。
洲王朝末年,穷兵黩武,独断专行,致使百姓民不聊生,江山社稷摇摇欲坠。当此世道混乱,妖魔邪祟纷纷来到世间趁机作乱。而洲天子,也被狐妖灵姬附身,下令全国范围内捕杀使用弓箭的猎户,一个不留。12岁的韩萁(龚义杰 饰)正是生长于猎户之村。其夫妇被幻化成妖兽的官兵残暴的杀害,所幸韩萁被临镜谷谷主救下,遂拜谷主为师。数年后,韩箕学有所成,奉师父之命前往丰城襄助子殇(付煣煊 饰)找寻大禹神元,成就大业,下山途中解救少女葆媤(周思竹 饰)一同前行。因为怜嬉的干扰导致大禹神元爆散,化为九座神鼎流落四方,韩箕与子殇、葆媤重新踏上寻找九鼎的道路。不料狐妖灵姬的身后竟有元冥圣君的支持,封神台已成,为了开启万仙阵,洲天子横征暴敛,导致诸侯激愤。韩箕与子殇携手率军讨伐,一场人、神、魔的大战就此拉开。
北伐时期,陈依依与退伍军人张正克举行婚礼,土豪刘三企图调戏陈依依被张正克痛斥,刘三因此怀恨在心侮蔑张正克是乱党,张正克带着妻子逃到乡下舅舅家,不久张正克参加了北伐军,依依留在了乡下,乡绅周老爷轻薄依依遭到她的痛斥。不久因为战火,周老爷和依依等人同在一条船上逃难,谁知他们的船只被刘三的部下拦住,刘三下令留下依依其他人都要被处死,依依为了救众人假意和刘三周旋,趁其喝醉时将他刺死,自己也不幸深受重伤,最终,张正克在战斗中见到了妻子最后一面。
ItIsNottheHomosexualWhoIsPerverse,ButtheSocietyinWhichHeLives(NichtderHomosexuelleistpervers,sonderndieSituation,indererlebt)istheearnesttitleofRosavonPraunheim’s1971PG-chastefirstfeature,whichhasagedlikegoodcheesefromascandaloussensation(apoliticalwakeupcalltogays)intoatextbookexampleofclassiccamp—andadelightfultimewarptripthroughqueercliché.Theverycolorfulcolorfilm(shotMOS)openswithvonPraunheim’scameratrailingtwofags—oneblonde,onebrunette—walkingdownasunnyBerlinstreet.Daniel,theshybrunette,isnewtothebigcityandblondeClemensisgenerouslyofferinghimaplacetostay.(WeknowthisbytheheavilyGerman-accentedEnglish,dubbedandspokenina“Sprockets”cadence.)“It’ssohardtofindsomeonewho’ssincere,”Clemens’voicesaysastheycuddleonhisbedbackattheapartment.“Ireallydigyou.”Then,fromoutofnowhere,agrave,German-accented,Moses-likevoiceoverexplainsthat“faggotslongforlovingrelationships”,but“liveinadreamworldofglossymagazinesandHollywoodmovies.”NownakedinbedwithDaniel,Clemensproclaims,“I’dliketothrowthewindowopenandshowthewholeworldhowwonderfulitiswhentwomenareinlove!”Andsoitgoes.DanielfussesoverhishairinthemirrorwhileClemens’heartsickTeutonicvoicenarratestheirnewfounddomesticbliss.“EveryhourandminuteIspentalonewastortureforme.”Luckily,thelovebirdsspendplentyoftimedoingthingslike“watchingtelevisiontofurtheroureducation”andhousecleaningtogether.Theyalsoreadorwriteletters.“DearMother,”Daniel’svoicebegins.Butalas,asClemensstaresintoacabinetchockfullofknickknacks,thatdamnnaggingMosesvoiceoverreturns.“Faggotstrytoimitatemiddleclassmarriage,”hehisses,holdingforthonthesubjectofmentaughttobeincompetitionwithoneanother,tobeself-involved—doomingthefaggotrelationship.Nextthingyouknow,Daniel’ssadvoicesighs,“Fourmonthshavepassed.I’vedecidedtoleaveClemens.”Thenajaunty,genialGermannarratorintones,“Danielwasoftencruisedbyawell-to-doman.”Andthere’sgirlfriendstrollingalongwiththetight-panted“benefactorathiscountryestate!”Astheystopforaglassofchampagnebesideastatue,Mosesabruptlythundersaboutthemyththatthehomosexual’s“interestintheartsisawaytomakelifemorebearable,”wheninreality“theartsareatoolfortherichandpowerful,”foritmakesit“mucheasiertogetthemintobed.”Cuttoapianoandawild-eyedfagsingingaboutDeutschland!Nearby,thebenefactorplayswithhisascot,agaudysilverringintheshapeofaninsectonhisfinger.Thecamerapullsbackandpansaroundtheroomfulofoldqueensrespectfullylisteningtotherecital.Mosesannounces,“Youthandgoodlooksaretremendouslyimportanttooldfags.”LikeHitchcock’sbirds,theelderlyMarysaresuddenlyswarmingoverpoorDaniel—whogetsnauseousandrunsoutthedoor.Thenit’sofftoanoutdoorcafé—withabigsignreading“MobyDick’s.”ThegenialGermannarratorinformsthatDaniel’sfoundanewjobworkingata“meetingplaceforhomosexuals”where“conversationsaboutfilm,fashionandphysicalculturegivehimideasabouthowtofillhisleisuretime.”Mosesbuttsintoaddthatfaggots“gathertolistentoNinaSimone,JudyGarlandandBarbraStreisand”and“gatheratFireIslandandSanFrancisco.”Heintones,“Fashionhastobelikeasecondskinthatsuggeststhesizeofthecock.”Asissysauntersdownthestreetinknee-highmoccasinsandshorts.Mosesalsowarns,“Theyoungfagmustgiveuphisinterestsformorehomosexualinterests.”Andthere’sDanielsunninghimselfwithhisfellowhomosexuals!Mosessnipes,“Hewasentrancedbyhisstrongbodyandbutchstyle”asatorso,hairychestandtightbluejeans,appearsinmediumcloseup.ThegenialGermanoffers,“Danielcouldsitforhoursandenjoybeingcruised.”Then:“WolfganghadalotincommonwithDaniel”asthetwomop-haired,mutton-choppedboysrublotionononeanother.Butallisnotwellinfairyland.MosesbringsnewsthatDanielhasbegungoingtogaybars—isbecomingaddicted!And,yup,there’sDaniel,wanderingaroundadarkanddingyhole.Mosesexplains,“It’seasyforfaggotstofindoneanotherbecausetheyofferthemselvesonstreetcornerslikewhores.”Cuttoaqueenhavingahissyfitinfrontofthebarasanothertriestocalmherdown,allwhileMosesholdsforthonsadfags,howtheydon’tknowhowtousetheirsexualfreedomforhappiness,howtheir“greatestenemyistheconspicuousqueen.”Twofairiesinshortshortsappearintheframe,fawningovertwoembarrassedfags.Moseslaments,“Danielnowhasnootherinterestthanbeingafag.”Cuttoamotorcyclegang,leatherboyscruisingoneanotheramongstthenighttimetrees.Theyfeelupeachother’szippers,chains,andstuds—aclothedgropefestasMosesteachesthat,otherthan“trans-westites,[who]longforwomen’sorgans,leatherfreaksarethefagswiththemosthang-ups.”Infact,“Theleatherqueersarereallynice,politepeoplewhosufferfromtheirownweakness.”Andthat’swhenDaniel,“boredwithtalking,”fatefullyleavesthebarscenefortheparkwherehe“slowlymadehiswaythroughthetensechoreographyofmen.”(SosayethMoses.)Cuttooutsideapublicrestroom(a“well-knownmeetingplace”).Menwhocruiserestrooms“despisetearoomtrade,”thevoiceofMosestrembles.Hustlers—“usuallyrunawaysfrombrokenhomes”whoare“oftennotqueer”—frequentthesespots.(Assortedhustlersandfagsmillaboutasapieceofroughtradestandslikeasentinelinfrontofthedoor.)Agroupofqueersemergeandpilecircus-styleintoacar.AnoldfagcruisesDanielbutstrikesout(duh!)beforegettingbeatupbyroughtrade.Nextup:adragqueensinginginamixedhomobar—atattooedleatherdaddystaringstoicallyfromatablenearby.Andthere’sDaniel!He’s“drowninghimselfinalcoholandcigarettes”whileotherfagstryto“forgetthemselvesinafranticatmosphere”—i.e.,ablackguyandawhiteguydoingachickendanceto“RockAroundTheClock”,whichblaresfromthejukebox.Anoldyodelingqueenappears.DanielseeshisfriendPaul,asksifhecangobacktohiscommunalpad.Andthat’swherevonPraunheim’sfilmfinallyreachesitsclimax—apsychotherapysessionwithagroupofnakedfags!Sittinginacircle,theyberateDanielintheirdubbedvoices.“You’vebecomearealfulltimefaggot!”“You’rebecomingneurotic,awhorewhodoesn’tevengetpaid!”TheTeutonicaccentsstartcallingforagayprideawakening,aconsciousness-raising“We’rehere,we’requeer!”movement.“Queensandbutcheshavetostopopposingandfighttogethersidebyside!”“Comeoutofthecloset!Taketothestreets!”“Eroticallyfree!Sociallyinvolved!”Thecommentarycontinuesevenasthecreditsrolloverapinkbackground—evenasIcan’tstoplaughingoverthe“trans-westites,”leatherfreaks,andglorioustearoomtrade.
由多个维度组成的世界里,潘小渝(陈嘉慧 饰)于第一维度「人间」死后,进入第二维度,后来加入人生管理局成为新手「命运管理员」。小渝要管理的对象是人间送餐员陈北河(胡鸿钧 饰),北河每天日晒雨淋,赚取微薄收入,家人却漠不关心,生活的挫折已将他压得喘不过气,还要承受「衰神」小渝在工作期间派发的霉运……小渝渐渐同情北河,此时北河也发现这名神秘女子暗中帮了自己许多忙,两人及后更不顾一切,发展出一段可能没结果的爱情故事……
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