数千年后的未来,进入宇宙空间的人类,被分为银河帝国与自由行星同盟这两个拥有“专制政治”与“民主主义”两种不同政治体制的国家。两国之间的抗争持续了150年,以无边无际的广袤银河为舞台,重复着无止境的战斗。银河帝国的门阀贵族社会的腐败,以及在自由行星同盟中被称为“民主主义的弊端”的群愚政治正侵蚀着两个国家。之后,宇宙历8世纪末,两位天才的登场驱动了历史。“常胜的天才”莱因哈特·冯·罗严克拉姆,以及人称“不败的魔术师”的杨威利。两人率领着帝国军与同盟军,展开了不知道是第几次的冲突。
《谁又杀了帕米拉·萝丝》帕米拉·罗斯的棺材被盗之后,联邦调查局探员道格拉斯·刮刮重新联系了往日搭档理查德·弹弹——闹翻多年的昔日搭档。两位FBI前优秀探员再次联手调查此案,怎料这竟是一个陷阱。他们更想不到自己将会成为唯二的知情人:美利坚合众国的女总统面临暗杀危机!
动画电视片《熊出没之怪兽计划》,则是延续《熊出没之探险日记》系列中的明星角色天才威的发展,讲述天才威创造出“无敌机械怪兽”,制造森林危机,“熊强”联手守卫家园的故事。该片角色情感丰富多元,故事情节跌宕起伏,充分满足6-12岁儿童的观看需求,为儿童受众带来多方面的品格教育。
剧中,女主角花泠意外来到小说世界中,当她以为自己身处上帝视角可以所向披靡,可以阻止魔王灭世时,不曾想反派魔王浮荼竟处处不按套路出牌,导致剧情一再走偏。[1]危难当前,花泠发现事情竟然还有隐藏剧情……
导演:田少波编剧:陈晨光、刘远东主演:柳健、张静东、阎青妤片种:故事片类型:剧情、古装出品单位:北京中联嘉业文化艺术有限公司长度:85分钟出品年代:2008《况钟传奇之明月几时》的导演田少波,编剧是陈晨光、刘远东,主要演员有柳健、张静东、阎青妤。故事讲述况钟在居住鸿泰客栈的时候,屡次被刺客行刺。根据刺客所遗留的线索顺藤摸瓜,悬疑贯穿,最终发现一个不为人知的故事。
2022河南卫视《清明奇妙游》将节目、剧情与情境有机融合,体现传统民俗与清明节气的自然物候特征,表现中国天人合一的朴素哲学,描绘国人内心的追忆与慰藉,憧憬与担当。
At the Wannsee Conference on 20 January, 1942, senior Nazi officials meet to determine the manner in which the genocide of the European Jews can be best implemented.
颓废的白领接收到神秘邀请,“你想知道生命的意义吗?你想真正的活着吗?” 传送进入变化莫测的主神空间,来自未来的人类对现世发出的邀请和挑战,人类在大宇宙开拓时代面对的种种挑战都将被模拟为“副本”,供被选中的人们进行攻略,跨越重重陷阱,结识生死战友,成为团队领袖,为的是人类 族群的进化和存亡,和无限的未来!
本片讲述了名叫金凤湾的小山村走出的一名农科院高材生高山松,在学成后带着大学女友金凤一起回到金凤湾投身山村科研建设的工作中,赞美了主角二人勤奋踏实、勇于奉献、献身科学的精神。
A criminal story set in the 1980s. Robert, a young policeman "out of principle", finds a serial gay killer. In the course of the investigation, he meets Arek. She decides to use him as an informant, not realizing how much this relationship will affect not only his work, but also his personal life.
This utterly gorgeous Gothic melodrama would be widely hailed as a masterpiece, had it not been made in Italy during the Mussolini regime. A gross injustice, as Malombra - unlike Piccolo Mondo Antico, Mario Soldati's earlier film of an Antonio Fogazzaro novel - contains not one moment of triumphalist flag-waving or Fascist family values. Oddly akin to Rebecca in its atmosphere of death-haunted romance and voluptuous doom, it reaches a peak of visual refinement of which Hitchcock could only dream. Its star is Isa Miranda (famous, and not without reason, as Italy's answer to Garbo and Dietrich) playing a headstrong but unstable young noblewoman, confined by her uncle to a gloomy villa on the shores of Lake Como. A yellowed and crumbling letter, found in an old spinet, convinces her that she is the reincarnation of her uncle's first wife - another troubled beauty who died a virtual prisoner after being caught in a forbidden love affair. When a handsome young writer (Andrea Checchi) comes to stay, Miranda decides that HE is the reincarnation of the dead woman's lover. Gradually, she lures him into her web of sex and revenge... What more to say without spoiling the fun Miranda gives a performance to rival any of the great divas of Hollywood. Only Davis and Stanwyck, perhaps, could play a bad girl so boldly without losing all sympathy. The evocation of 19th century aristocracy, in its full decadent splendour, is visually and dramatically flawless - a model for such later Italian gems as Visconti's Senso and The Innocent. It helped, perhaps, that Soldati himself was a leading novelist. Blessed with an absolute respect for the classics he adapted, but in no way inhibited by them. He was also the guiding spirit of the now-forgotten 'calligraphic' movement, which brought the Italian cinema to such wondrous aesthetic heights during World War Two, only to collapse before the horror of Neo-Realism. Can we blame Soldati for giving up film-making in disgust and going back to writing novels So if you've ever felt (as I do) that Rossellini's much-touted Rome - Open City is the work of an amateur...well, Malombra is the film you have to see!
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